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What the Directors say...

Liam Garvo

It sounds fantastic. The music is so powerful...

...the music, instead of being another layer for our senses to focus on has created this beautiful outer wrapper around the piece. It embraces us and makes us feel warm and peaceful against the backdrop of such atrocity.

Email from Liam Garvo, award-winning director from Coral Bark Productions, after receiving my score for his latest dramatic short, Absentis, now submitted to the New York Film Festival.
[5 June 2007]

Ella Waite

It's brilliant. I knew it would be.

Text from Ella Waite, award-winning director from Frame of Mind Productions, after receiving my score for her latest documentary, The Dancing Years
[10 June 2007]

Emma Biggins

We absolutely loved it, as we have come to expect when we receive new
stuff from you. I particularly liked the 'western gun draw' style music when
he meets the other sandwich board worker in the street.

Email from Emma Biggins from Multistory Films, after receiving the score for The Briefest of Encounters
[25 January 2007]

Thanks very much for The Last Chapter score. We think it's absolutely
fantastic and we'd love to use it.

Email from Emma Biggins from Multistory Films, after receiving the score for The Last Chapter
[14 December 2006]

 

Fraser Coull

I just wanted to email to thank you for the fantastic score on episode 1. It is brilliant

And the music with Ames in the field is perfect!

Also the music when Jason saves the goth - wow! It honestly had my hair standing up :)

Please never stop being my composer!

[13-Nov-2006] email from Fraser Coull regarding the music scored for a episode one of Night is Day: the mini series

Sean Logue

I could kiss u...but I wont

[18 September 2006]

email from Sean Logue director of Pondlife after receiving Mexican Stand-off spoof music and Sin City spoof music as well as music for a trailer for a film called Vampire.

Jennifer Belander

 

I love the ident music, it goes perfectly with Graham's visuals...

...BTW, I've finally seen the version [of The Audit] which has your music in, and OH-MY-GOD! It is getting to be a brilliant and terrifying little film. ...but I was so excited by the movement and tension your compositions have added to this project...I can't thank you enough!!! 

email from Jennifer Belander director of The Audit

[1-May-2006]

Zaid Adham

Thank you ever so much mate....I love it! Just what the doctor ordered!

I'll let you know as soon as I get it synched and sorted. But thank you...it's excellent!

All the best my friend. Looking forward to working with you again!

 

email from Zaid Adham,  Director after receiving the score to Black Coffee

[26 April 2006]

Jay Rodriguez

I've worked with many composers in the past and three have really stood out in my memory, you are one of them. We'll work again.

email from Jay Rodriguez,  Director, after receiving the score to Torn


[13 April 2006]

 

Glen Chua

You are one talented composer! I listened to your tracks and they were amazing!

email from Glen Chua,  Director,  www.moonlitefilms.com


[22 March 2006]

 

Norm Sanders

 

Steve, your attention to detail and communication skills are among the best I've seen.  It's refreshing to work with a composer that is so disciplined in their craft, and cares enough about the director's vision to communicate clearly with them & take the time to make sure you're delivering exactly what someone is looking for.  You're high class, Steve.
 

email from Norm Sanders, President of Production Envision Entertainment, LLC

[20 March 2006]
 

George Elder

 

Hi Steve, I love the music for The Audit

 

text from George Elder, writer of The Audit (and writer/director of Mosskirk Harvest) after listening to the score for The Audit

[24-Apr-2006]

 

The music is simply wonderful - it... has really affected me - I have listened and listened and am astounded that my movie is going to get such a professional and marvellous score that would do any blockbuster proud.

 
Thank you so much Steve - words aren't adequate

 

email from George Elder, writer/director of Mosskirk Harvest, and writer of The Audit

[14-Nov-2005]

 

 

Daniel Braksator

Thanks for everything, everyone I've showed it to felt the music was very appropriate!
 

email from Daniel Braksator, director of The Silent Note, after receiving the score for The Silent Note

[21-Jan-2006]

 

Fraser Coull

I'd love for Steve to compose because I just love working with this man.

[30-Jun-2006] email from writer/director Fraser Coull to his crew regarding who he would like for his next film, due for production in August 2006.

Fantastic! Exactly what I was looking for. What a guy.

[4-May-2006] email from Fraser Coull director of The Journey regarding music I scored for 20 seconds of edited sword-fighting rehearsal footage for fundraising purposes.

I'm looking forward to hearing the score for trailer C - so far your music is making people's hair stand up on their necks just from the trailer a and b score.

[15-Dec-2005] email from Fraser Coull regarding the music scored for The Journey trailers

Got the music - it's wonderful! Very happy with it indeed mate.

 

[2-Oct-2005] email from Fraser Coull regarding the music scored for Night Is Day: Dusk.

 

Wow! That's good man! Very, very good!

 

[27-Sep-2005] email from Fraser Coull regarding the music scored of Trailer A for The Journey

 

Just to let you know - everybody is loving your music for the "Night is Day" preview so far! Go Steve!

 

[8-Jul-2005] email from Fraser Coull regarding the music scored for a preview of Night is Day: Dusk.

 

First of all - thank you so much for the music you did for "Bottle" - it is absolutely superb! I am really pleased with it. Vicki adores it, and the people who have heard it so far have only great things to say about it - you may be getting some more business from new people very soon!

 

[26-Jun-2005] email from Fraser Coull regarding the music scored for Bottle.

 

Gotta be honest, it's a great buzz having you on board as composer.

 

[21-Jun-2005] email from Fraser Coull